Kannywood Queens Who now Rule Hausa Screens

By Bilkisu Ahmed Shekarau

In Northern Nigeria, Kannywood is more than a film industry—it is a cultural lifeline. Through it, Hausa identity is preserved, social realities are reflected, and new generations are educated and entertained in equal measure.

But beneath the surface of the stories told lies another powerful story: that of the women who have shaped and sustained the industry, often in defiance of tradition, expectation, and backlash.

For years, Kannywood was considered a male stronghold. But the rise of resilient, talented actresses has rewritten that script. Women who once battled cultural conservatism and restrictive norms are now among the most celebrated names on Hausa screens.

Their journey has not only broken barriers—it has redefined representation, inspired younger women, and sparked a quiet revolution of empowerment across the region.

Jamila Umar Nagudu

Among these trailblazers stands Jamila Umar Nagudu, popularly known as the “Queen of Kannywood.” Born in Bauchi State in 1985, she has been a formidable presence in the industry since 2002.

Renowned for her dancing and vibrant portrayals in romantic and comedic films like Indo and Halisa, Jamila is more than an actress—she is a brand.

An entrepreneur and ambassador for companies like Ajinomoto and Globacom, she exemplifies what it means to blend fame with purpose.

Rahama Sadau

Another icon is Rahama Sadau, one of Kannywood’s most recognized faces. Born in Kaduna in 1993, she began acting in 2013 with the film Gani Ga Wane.

Her breakout performance lit up the screen and won her admiration across the North and beyond. She starred in Jinin Jikina, Ba Tabbas, and the popular series Sons of the Caliphate.

Though controversy struck in 2016—when she was banned from the industry for appearing in a music video that some deemed inappropriate—Rahama’s talent couldn’t be dimmed. She pivoted to Nollywood, starred in titles like If I Am President, and became a living testament to resilience.

Nafisat Abdullahi

Nafisat Abdullahi, born in Plateau State in 1991, is another force of nature. She stepped into the spotlight in 2010 through the film Sai Wata Rana alongside Ali Nuhu.

Since then, she has balanced fame with a fierce commitment to women’s empowerment and education. As an entrepreneur and fashion brand owner, Nafisat has used her voice and platform to speak up for Northern women.

Fati Washa

Then comes Fati Washa—born Fatima Abdullahi Washa in 1993 in Bauchi State—whose early 2000s entry into the industry quickly turned heads. With memorable performances in films like Ana Wata Ga Wata and Hindu, she built a reputation for depth, vulnerability, and conviction.

Her roles have earned her critical acclaim, but perhaps more importantly, she has lent her voice to issues like early marriage and the education of the girl-child in Northern Nigeria.

Maryam Yahya

The new face of Kannywood is Maryam Yahya, born in 1997 in Kano. Her rise to fame was swift, starting with her role in Mijin Yarinya and earlier in Gidan Abinci in 2016.

Her natural flair, endearing performances, and emotional range have earned her a loyal fanbase and nominations for Best Promising Actress (2017) and Best Actress (2018) at the City People Entertainment Awards. Maryam is not just a rising star—she is a sign of the future Kannywood is growing into.

Maimuna Abubakar

Also shining bright is Maimuna Abubakar, fondly called Momy Gombe. Both a singer and an actress, she has carved out a loyal following through her expressive storytelling and heartfelt performances.

Her ability to connect with viewers emotionally has made her one of the most beloved figures in the industry today.

In every generation, there are women who challenge limits and light the path for others. These Kannywood queens have done just that.

They have turned the screen into a stage for cultural dialogue, gender advocacy, and creative brilliance. And as the industry continues to grow, it is clear that its soul belongs as much to its women as to its stories.